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Arabic typically places a stronger emphasis on the horizontal than the Latin script does. The typeface has been optimized for corporate identity work, editorial design, and UI/UX projects. Diodrum Arabicĭiodrum Arabic is a low-contrast Naskh family with six weights. While Molsaq Arabic doesn’t include Opentype features and only support the Arabic script.
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Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script.
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Molsaq Pro comes with many Opentype features such as stylistic alternates, ligatures, swashes, and small caps. With 1050 glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script. Molsaq is an Arabic script font perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. Stroke contrast is low, but there is still some modulation at junctures, keeping typographic color from getting too dark Palatino® ArabicĪ multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart. Kohinoor Arabic’s clear, inviting, and easy-to-read letterforms are drawn in the Naskh style, with large and open counters.
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This Arabic font typeface is ideal for text-heavy multilingual projects, including corporate design editorial design electronic-embedding in apps navigation and signage systems product instruction manuals television subtitling or UI/UX. Kohinoor Arabic is part of Kohinoor Multiscript, a sans serif superfamily covering many of India’s official writing systems. It is mainly designed for public advertising and publication and it comes in 6 different weights thin, light, regular, medium, bold and outlined bold. PakType NaqshĪqlaam is an Arabic typeface with rounded letterforms. The font is suitable for design projects which require an impression of authentic Arabic style including web and print. The font simulates the unskillfully writing styles on things like pilgrimage paintings and old Arabic manuscripts. Tawasul is an Arabic font that is inspired by Arabic folklore. Mawzoon suits a various range of creative projects including print, web, advertising, and mobile applications. Letter forms feature a solid geometric structure with edgy terminals which come in two styles (Normal and Oblique). Mawzoon (which is the Arabic word for balanced) is an Arabic display font that is heavily inspired by the Ruq’ah script. It also suits branding, print, and web design. The font mainly suits typographic compositions, ornamental designs, and abstracts. The word Takween is Arabic for composition. Takween is an Arabic display font that is inspired by the Mashrequi writing style. It features two weights and it suits visual identity design, art events, packaging and contemporary art projects.
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Download the fonts by clicking on “Download”.Fenoon is an Arabic display font that is inspired by the ancient Square Kufic script. Here you can download a collection of free fonts for the Arabic-script languages including Arabic, Persian (Farsi), Dari, Urdu, Pashto, Kurdish (Sorani), and many others.
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zip formatĭownload a collection of free fonts for Arabic-script languages! List of 27 Arabic/Persian/Farsi Fonts Sets for download in. You can download a set of free fonts for the Arabic-script languages, including Arabic, Persian (Farsi), Dari, Urdu, Pashto, Kurdish (Sorani), and many others. You can use these Arabic/Persian/Farsi Fonts Sets in any Arabic-script language, including Arabic, Persian (Farsi), Dari, Kurdish (Sorani), Punjabi, Pashto, Urdu, Kashmiri, Sindhi, and Uyghur. Many of them are made by help from the local governments (Uthman, Nastaliq, Neirizi), and individuals make many others. I will mention them all in another post about commercial Arabic and Persian (Farsi) fonts shortly, but here I will present the current free fonts that I find most useful. But most attempts in this area are made by a few companies outside the Middle East (like Linotype, Monotype, and a few others). The explanation for that may be that by designing Arabic or Persian typefaces, one cannot make any money. The fonts here are genuine Arabic fonts fit for use in any Arabic or Persian style (Farsi).Īs you might have found, there are not so many companies that produce Arabic fonts. All I want to add here is not a bunch of ties to any “exotic” Latin-script fonts with an Arabic feel.
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